Play Softly And Carry A Thin Pair Of Sticks, Or A Drummer’s Guide To CNY Venues, Part 1: The Buzz Cafe, Syracuse

This (what I hope will be a) series of posts stems from a gig that changed the way I approached all the songs I played that evening (specifically, this gig). Changed in the kind of way that I wish the band had had proper notice of the situation we (well, I) were walking into in terms of the room, the acoustics, and the management. On the plus side, Syracuse is undergoing what I think is a slow expansion of mom+pop places that open their doors to live music. This is just fine for most styles of music and small groups. On the down side, these tend to be small places. This is just fine for most styles of music and small groups.

This can be a problem for a set drummer, which can then be a problem for the rest of the band. You rehearse and rehearse with a group at one volume, playing at a level at which you are comfortable playing all the complicated fills and patterns you like. Everyone gets used to hearing certain things and you get use to executing those things. Then you find yourself at a venue with your full kit and an owner who doesn’t seem to like loud noises. And by loud noises, I mean sounds generated by the lightest sticks you own using little more than your fingers to propel them several inches. And I understand the hesitancy an owner might have when confronted by a drummer they’ve never heard, as I’ve certainly sat near my share of drummers who didn’t adjust their playing volume to the room. But with this new adjustment, you’re not playing the same song you (and the band) have grown accustomed to. Now, the whole band may find itself reacting to this new dynamic from the drummer, while all the others in the band had to do was turn their volume knobs down a bit.

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Fuse Box Description and Amperage Settings For “New” Volkswagen Beetles

The Volkswagen New Beetle.  You can get a full-sized drum set into these things (although a 24″ kick’s going to require a padded case), a fact I learned after I bought the car in 2002, as my old Pearl Prestige Session drums had, at the time, been stolen by an antiquities-dealing crack addict who was part of a police sting operation to catch a drug lord on Syracuse‘s West Side.  One of my better band stories and proof that people on drugs are not in their right state of mind.  Also handy for transporting computer clusters across state lines.

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